Alvin Ailey choreographed his signature solo Cry as a birthday present for his dignified mother, and created the dance on his stunning muse, Judith Jamison.
Mrs. Cooper (Alvin Ailey's mother) and Ms. Jamison could both be considered the archetypal Ailey woman – a role that has been passed on to all the women in the Ailey ranks to whom Ms. Jamison has taught this solo.
In her autobiography Dancing Spirit, Ms. Jamison wrote: "Exactly where the woman is going through the ballet's three sections was never explained to me by Alvin. In my interpretation, she represented those women before her who came from the hardships of slavery, through the pain of losing loved ones, through overcoming extraordinary depressions and tribulations. Coming out of a world of pain and trouble, she has found her way-and triumphed."
Judith Jamison speaks about the creation of Cry:
"....it was a birthday present for Alvin's mother. You see, she was coming from Texas to see her son's company and Alvin knew she'd be celebrating a birthday in New York. In those days, none of us could shop at Tiffany or Bloomingdales, so Alvin decided the nicest present he could give his mother was a ballet. We went into the studio...and began moving to the music...and in a few days...Alvin made an enduring work of art....Cheering audiences still have Alvin's birthday present to his mother."
Mr. Ailey dedicated this piece to "all Black women everywhere--especially our mothers." In this 3-section solo, the dancer, clad in a white leotard and long ruffled skirt, brings the audience on a journey of bitter sorrow, brutal hardship and ecstatic joy.
Cry was made possible with generous support from Judith McDonough Kaminski and Joseph Kaminski.
The original production of Cry was made possible, in part, by a grant from Ford Foundation.
Renowned choreographer Alvin Ailey started his namesake dance company back in 1958, and his work has remained timeless over the decades. Whether it’s the joyous celebration of Night Creature, the playful Pas de Duke, or his most revered masterpiece, Revelations, his work can be a transcendent experience that has filled the hearts and souls of audiences around the globe. Read More
As a Black girl from the inner city of Baltimore, I hadn’t known anything about the codified world of dance growing up. Ballet was something I had only seen on TV—and who I saw in it never looked like me. I never thought that would be my future. My first introduction to dance was at my audition for the Baltimore School for the Arts, and from there a love bloomed. Read More
NEW YORK – JANUARY 27, 2022 – Alvin Ailey American Dance Theater, America’s beloved cultural ambassador to the world, returns to stages on a coast-to-coast National Tour starting January 28 in Philadelphia, kicking off Black History Month at the Kennedy Center in Washington, D.C. on February 1 , and traveling to cities like Atlanta, Miami, Berkeley, Boston, Chicago, and Los Angeles before the finale in Newark on May 8. Marking a decade of leading the Company forward, Artistic Director Robert Battle presents Ailey’s renowned artists in a diverse repertory of premieres, new productions, and Ailey classics. Highlights include a Battle 10th Anniversary program; two world premieres adapted from video to stage, For Four by Robert Battle and Holding Space by Ailey Resident Choreographer Jamar Roberts; the return of hip-hop innovator Rennie Harris’s acclaimed Lazarus; 50 Years of Cry commemorating Ailey’s beloved classic dedicated to “all Black women everywhere—especially our mothers;” and Ailey & Ellington, spotlighting cherished classics from the series of more than a dozen ballets that Alvin Ailey created celebrating the musical genius of the eminent American composer Duke Ellington. Alvin Ailey’s American masterpiece Revelations, which has inspired generations through its powerful storytelling and soul- stirring spirituals since its creation in 1960, will reach all cities on the North American tour. Read More
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