In a searing piece set to the music of Hugh Masekela, Alvin Ailey drew parallels between the era of South African apartheid and the race-induced violence of 1960s Chicago, delving into universal themes that are just as relevant today.

As trumpeter and composer Hugh Masekela’s driving music propels the dancers through a string of theatrical tableaus, the commanding choreography speaks of passivity, militancy, despair and defiance anywhere, at any time.

This production of Masekela Langage was made possible with major support from American Express.

Generous support was also provided by Kathleen & Ernest Abrahamson.

Masekela Langage was originally commissioned by Connecticut College American Dance Festival with additional funds provided by Ford Foundation.