Dance Performances - No Longer Silent

About No Longer Silent

Description

Robert Battle’s dramatic ensemble work No Longer Silent, set to Erwin Schulhoff’s percussive score “Ogelala,” features dancers evoking a complex and mysterious ritual. Originally created in 2007 for The Juilliard School, Battle’s alma mater, the work was part of a concert of choreography that brought to life long-forgotten scores by composers whose work the Nazis had banned. Powerful phrases stir the imagination with images of flight and fatigue, chaos and unity, and collectivity and individualism as dancers, clad in all black, travel in military rows. The music, created between 1922 and 1925, provides an ever-shifting mechanical cadence against which the work builds dramatically to a piercing conclusion. This work is presented in conjunction with the 70th anniversary of the liberation of concentration camps Auschwitz and Buchenwald, which marked the end of the Holocaust. Denied employment after the Germans occupied Czechoslovakia, Schulhoff was prevented from emigrating and died of tuberculosis in the Wülzburg concentration camp in 1942.

Performance Schedule & Tickets

Jun 9

Jun 11

Jun 17

Jun 19

Choreography

Restaging

Marlena Wolfe

Music

Ogelala “Ballettmysterium” Op. 53 by Erwin Schulhoff

Costumes

Fritz Masten

Lighting

Nicole Pearce

Set Design

Mimi Lien

First Performance

2007 / Ailey Company Premiere 2015

Run Time

33 minutes

Listen to a Spotify Playlist inspired by the songs featured in Robert Battle's No Longer Silent:

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News & Press

What do dance and social justice have in common? "No Longer Silent," a new piece from the Alvin Ailey American Dance Theater, provides one answer.
The rise of the Nazis meant the demise of Czech composer Erwin Schulhoff, whose jazz-inspired, avant-garde classical compositions were blacklisted as the work of a Jew. Under German occupation in Prague starting in 1939, Schulhoff desperately tried to escape to the United States, then to the Soviet Union, but he was arrested in 1941 and died the next year at the Wulzburg concentration camp in Bavaria.
"Art is universal; art connects people." Those sentiments may seem trite -- maybe even cliche to the point of losing meaning. But sometimes a notion or phrase becomes trite because it is true.
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