Featuring an eclectic score ranging from Dean Martin to mambo, techno to traditional Israeli music, Ohad Naharin’s Minus 16 uses improvisation and Naharin’s acclaimed “Gaga” method, a unique movement language that breaks down old habits, pushing the dancers to challenge themselves in new ways.  

The work is unique in the Ailey repertory for removing the barrier between performers and spectators, and inviting members of the audience onstage to become part of the dance. "Minus 16 not only delights in its own wackiness, but also celebrates the joy of dancing,” said the San Francisco Chronicle.

Having spectators join in brings an element of unpredictability and fun that makes each performance of Minus 16 delightfully different. Artistic Director Robert Battle recalled one performance when a woman lost her wig onstage. “When the dancer who was her partner whispered ‘I’m so sorry’ she said, ‘I’m 70 years old and having the time of my life.’”

Leadership support for this Company premiere was provided by American Express.
Generous support was also provided by NJPAC Alternate Routes.