Calendar

Week of July 5, 2015

Sun, July 5

   

Mon, July 6

   

Tue, July 7

 

Alvin Ailey American Dance Theater

Paris, France

8:00 pm

La Grande SalleThéâtre du Châtelet

Casting
Program subject to change.

LIFT

This propulsive world premiere by in-demand choreographer Aszure Barton accentuates the vitality and physical prowess of the Ailey company. Driven by the dancers’ passion, skill and collective power, the work was created over a developmental process with the entire Company. The percussive score, composed by Curtis Macdonald, is infused with the infectious energy and heart that she observed in her initial encounters with the Ailey dancers.

After the Rain Pas de Deux

In Christopher Wheeldon’s After the Rain Pas de Deux, a couple performs a haunting pas de deux set to Estonian composer Arvo Pärt’s Spiegel im Spiegel. The work first premiered in 2005 at New York City Ballet’s annual New Combinations Evening, which honors the anniversary of George Balanchine’s birth with world premieres. The dreamlike male-female duet has been widely praised for its sublime simplicity and intricate partnering, and it is revealed in a fresh light as the Ailey dancers make it their own.

Four Corners

In Ronald K. Brown’s Four Corners, 11 dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. In creating his fifth commission for the Ailey company since 1999, the celebrated choreographer turned to the song “Lamentations” by his friend, recording artist Carl Hancock Rux. Drawing from West African and modern dance influences, Brown uses grounded, earthy movements to portray figures who are burdened by grief but ultimately find peace, solace, and freedom with the aid of “the angels in their corners” mentioned in Rux’s text.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul.

Wed, July 8

 

Alvin Ailey American Dance Theater

Paris, France

8:00 pm

La Grande SalleThéâtre du Châtelet

Casting
Program subject to change.

Takademe

Robert Battle’s bravura work mixes humor and high-flying movement in a savvy deconstruction of Indian Kathak dance rhythms. Clear shapes and propulsive jumps mimic the vocalized syllables of Sheila Chandra's syncopated score.

Polish Pieces

In this exuberant ensemble work, Dutch choreographer van Manen displays his mastery for building dazzling creations from simple motifs and geometric patterns. Driven by the rhythms of Henryk Górecki’s score, the dancers come together and disperse in endlessly shifting formations that culminate in two sensual pas de deux.

Strange Humors

Equal parts comedic and combative, Artistic Director Robert Battle’s Strange Humors is an eccentric, jocular display for two dancers.  Composer John Mackey, with whom Battle is a frequent collaborator, provides a fiery score propelled by elements of African hand drumming and Middle Eastern folk music.

D-Man in the Waters (Part I)

In this exhilarating work by Kennedy Center Honoree, MacArthur Grant awardee and Tony Award-winner Bill T. Jones (Fela!, Spring Awakening), rigorous formalism and musicality embody resilience and triumph over loss.

Grace

One of the most popular works in the Ailey repertory, Ronald K. Brown’s spellbinding Grace is a fervent tour-de-force depicting individuals on a journey to the promised land. 

Thu, July 9

 

Alvin Ailey American Dance Theater

Paris, France

8:00 pm

La Grande SalleThéâtre du Châtelet

Casting
Program subject to change.

Polish Pieces

In this exuberant ensemble work, Dutch choreographer van Manen displays his mastery for building dazzling creations from simple motifs and geometric patterns. Driven by the rhythms of Henryk Górecki’s score, the dancers come together and disperse in endlessly shifting formations that culminate in two sensual pas de deux.

Strange Humors

Equal parts comedic and combative, Artistic Director Robert Battle’s Strange Humors is an eccentric, jocular display for two dancers.  Composer John Mackey, with whom Battle is a frequent collaborator, provides a fiery score propelled by elements of African hand drumming and Middle Eastern folk music.

D-Man in the Waters (Part I)

In this exhilarating work by Kennedy Center Honoree, MacArthur Grant awardee and Tony Award-winner Bill T. Jones (Fela!, Spring Awakening), rigorous formalism and musicality embody resilience and triumph over loss.

Takademe

Robert Battle’s bravura work mixes humor and high-flying movement in a savvy deconstruction of Indian Kathak dance rhythms. Clear shapes and propulsive jumps mimic the vocalized syllables of Sheila Chandra's syncopated score.

Grace

One of the most popular works in the Ailey repertory, Ronald K. Brown’s spellbinding Grace is a fervent tour-de-force depicting individuals on a journey to the promised land. 

Fri, July 10

 

Alvin Ailey American Dance Theater

Paris, France

8:00 pm

La Grande SalleThéâtre du Châtelet

Casting
Program subject to change.

Home

Home, choreographed by bold hip-hop choreographer Rennie Harris, is inspired by the stories of people living with or affected by HIV.  Drawing upon poems and images submitted in 2011 to the Fight HIV Your Way contest, an initiative of Bristol-Myers Squibb, Harris created a compelling work that conveys both the chilling isolation and uplifting sense of community many experience.

After the Rain Pas de Deux

In Christopher Wheeldon’s After the Rain Pas de Deux, a couple performs a haunting pas de deux set to Estonian composer Arvo Pärt’s Spiegel im Spiegel. The work first premiered in 2005 at New York City Ballet’s annual New Combinations Evening, which honors the anniversary of George Balanchine’s birth with world premieres. The dreamlike male-female duet has been widely praised for its sublime simplicity and intricate partnering, and it is revealed in a fresh light as the Ailey dancers make it their own.

The Hunt

Robert Battle’s The Hunt is a primal ritual with a distinctly urban feel fueled by a thundering percussion soundtrack by Les Tambours du Bronx. Perhaps Battle’s most popular work, it explores the relationship between modern sports and the rites of the gladiators.

Minus 16

Featuring an eclectic score ranging from Dean Martin to mambo, techno to traditional Israeli music, Ohad Naharin’s Minus 16 uses improvisation and Naharin’s acclaimed “Gaga” method, a unique movement language that breaks down old habits, pushing the dancers to challenge themselves in new ways.  

Public Classes

New York, NY

Prepay for Classes

Sat, July 11

Alvin Ailey American Dance Theater

Paris, France

3:00 pm

La Grande SalleThéâtre du Châtelet

Casting
Program subject to change.

LIFT

This propulsive world premiere by in-demand choreographer Aszure Barton accentuates the vitality and physical prowess of the Ailey company. Driven by the dancers’ passion, skill and collective power, the work was created over a developmental process with the entire Company. The percussive score, composed by Curtis Macdonald, is infused with the infectious energy and heart that she observed in her initial encounters with the Ailey dancers.

Pas de Duke

Pas de Duke is Alvin Ailey’s spirited modern dance translation of a classical pas de deux, originally created in 1976 as a showcase for Judith Jamison and Mikhail Baryshnikov. She was a reigning star of modern dance; he was one of the world’s most famous ballet dancers, having defected from the Soviet Union two years earlier. Ailey made brilliant use of the dancers’ physical and stylistic differences, crafting an elegant, flirtatious work that showed off their exuberance and virtuosity as they engaged in a playful game of one-upmanship.  

Four Corners

In Ronald K. Brown’s Four Corners, 11 dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. In creating his fifth commission for the Ailey company since 1999, the celebrated choreographer turned to the song “Lamentations” by his friend, recording artist Carl Hancock Rux. Drawing from West African and modern dance influences, Brown uses grounded, earthy movements to portray figures who are burdened by grief but ultimately find peace, solace, and freedom with the aid of “the angels in their corners” mentioned in Rux’s text.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul.

Alvin Ailey American Dance Theater

Paris, France

8:00 pm

La Grande SalleThéâtre du Châtelet

Casting
Program subject to change.

Polish Pieces

In this exuberant ensemble work, Dutch choreographer van Manen displays his mastery for building dazzling creations from simple motifs and geometric patterns. Driven by the rhythms of Henryk Górecki’s score, the dancers come together and disperse in endlessly shifting formations that culminate in two sensual pas de deux.

After the Rain Pas de Deux

In Christopher Wheeldon’s After the Rain Pas de Deux, a couple performs a haunting pas de deux set to Estonian composer Arvo Pärt’s Spiegel im Spiegel. The work first premiered in 2005 at New York City Ballet’s annual New Combinations Evening, which honors the anniversary of George Balanchine’s birth with world premieres. The dreamlike male-female duet has been widely praised for its sublime simplicity and intricate partnering, and it is revealed in a fresh light as the Ailey dancers make it their own.

Pas de Duke

Pas de Duke is Alvin Ailey’s spirited modern dance translation of a classical pas de deux, originally created in 1976 as a showcase for Judith Jamison and Mikhail Baryshnikov. She was a reigning star of modern dance; he was one of the world’s most famous ballet dancers, having defected from the Soviet Union two years earlier. Ailey made brilliant use of the dancers’ physical and stylistic differences, crafting an elegant, flirtatious work that showed off their exuberance and virtuosity as they engaged in a playful game of one-upmanship.  

The Hunt

Robert Battle’s The Hunt is a primal ritual with a distinctly urban feel fueled by a thundering percussion soundtrack by Les Tambours du Bronx. Perhaps Battle’s most popular work, it explores the relationship between modern sports and the rites of the gladiators.

Grace

One of the most popular works in the Ailey repertory, Ronald K. Brown’s spellbinding Grace is a fervent tour-de-force depicting individuals on a journey to the promised land.