Calendar

February 2014

Sat, February 1

 

Sun, February 2

Ailey II

Esch-sur-Alzette, Luxemburg

8:00 pm

Theatre de la Ville d’Esch

Program subject to change.

Alchemies

In Alchemies, up-and-coming choreographer Adam Barruch transforms everyday gestures – a reach, an embrace, a finger pointed skyward – into a reverie of human interactions.

Cuore Sott’olio

In Polish choreographer Katarzyna Skarpetowska’s Cuore Sott’Olio (“heart submerged in oil”), a female figure tumbles through the memories of past relationships in a fusion of folk dance and contemporary movement.

Wings

What if there were angels moving among us on earth? Rising choreographer Jennifer Archibald explores this intriguing possibility in her new work, Wings -- an unabashedly emotional portrayal of interactions between angels and humans. Set to an ambient score by veteran dance composer Michael Wall, Archibald’s movement is ferocious yet vulnerable, showcasing both the dancers’ athletic prowess and raw honesty.

Public Classes

New York, NY

Prepay for Classes

Mon, February 3

 

Public Classes

New York, NY

Prepay for Classes

10:30 AM - 12:00 PM Advanced Beginner Ballet Kat Wildish
6:00 PM - 7:00 PM Zumba® Fitness
SUB: Samuel Salazar
6:00 PM - 7:30 PM Beginner Samba / Afro Brazilian
SUB: Lisa Green
6:30 PM - 8:00 PM Beginner West African Maguette Camara
6:30 PM - 8:00 PM Advanced Beginner Sabar Babacar M’Baye
7:00 PM - 8:30 PM Beginner Hip-Hop TweetBoogie
7:00 PM - 8:30 PM Advanced Beginner Horton
CANCELLED
7:00 PM - 8:30 PM Absolute Beginner Ballet Finis Jhung
7:00 PM - 8:30 PM Beginner Contemporary Jazz Slam
7:30 PM - 9:00 PM Advanced Beginner Ballet Kat Wildish
8:00 PM - 9:00 PM Masala Bhangra Workout® Sarina Jain

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Ballet III Pedro Ruiz
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Intermediate Barre à Terre Marguerite Wesley
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 10:20 AM Ballet II
10:00 AM - 11:20 AM Horton III Elizabeth Roxas
10:00 AM - 11:20 AM Ballet VII Celia Marino
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Beginner/Intermediate Men’s Ballet Robert Atwood
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Pedro Ruiz
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Jacqulyn Buglisi
11:30 AM - 12:50 PM Jazz III Hollie Wright
11:30 AM - 12:50 PM Horton II Guillermo Asca
11:30 AM - 12:50 PM Horton IV Ana Marie Forsythe
11:30 AM - 12:50 PM Ballet IV Celia Marino
11:30 AM - 12:50 PM Body Conditioning Wendy Amos
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Horton II Freddie Moore
1:30 PM - 2:50 PM Jazz II Hollie Wright
1:30 PM - 2:50 PM Modern II Kevin Predmore

Tue, February 4

Alvin Ailey American Dance Theater

Washington, DC

7:00 pm

The Kennedy Center

800-444-1324

Program subject to change.

Chroma

The groundbreaking British choreographer's contemporary ballet is full of sensory suprises: sumptuous movement, a driving score by Joby Talbot with orchestrations of songs by The White Stripes, and a luminous set by minimalist architect John Pawson.

D-Man in the Waters (Part I)

In this exhilarating work by Kennedy Center Honoree, MacArthur Grant awardee and Tony Award-winner Bill T. Jones (Fela!, Spring Awakening), rigorous formalism and musicality embody resilience and triumph over loss.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Public Classes

New York, NY

Prepay for Classes

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Elizabeth Roxas
8:30 AM - 9:50 AM Ballet IV Pedro Ruiz
8:30 AM - 9:50 AM Ballet III Graciela Kozak and Peter Brandenhoff
8:30 AM - 9:50 AM Ballet VI Celia Marino
9:00 AM - 10:20 AM Ballet II
10:00 AM - 11:20 AM Tap I Courtney Tilford
10:00 AM - 11:20 AM Horton I Tracy Inman
10:00 AM - 11:20 AM Horton III Ana Marie Forsythe
10:00 AM - 11:20 AM Ballet IV Beth Goheen
10:00 AM - 11:20 AM Yoga I Leslie Journet
10:00 AM - 11:20 AM Modern I Marianne Bachmann
10:00 AM - 11:20 AM Ballet VI Nancy Turano
10:00 AM - 11:20 AM Modern II Marianne Bachmann and Jacqulyn Buglisi
10:00 AM - 11:20 AM Ballet V Peter Brandenhoff and Graciela Kozak
11:30 AM - 12:50 PM Ballet IV Nancy Turano
11:30 AM - 12:50 PM Advanced Pointe Celia Marino
11:30 AM - 12:50 PM Horton II Ana Marie Forsythe
11:30 AM - 12:50 PM Taylor Technique Carolyn Adams
11:30 AM - 12:50 PM Intermediate/Advanced Men's Ballet Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Martin Lofsness
11:30 AM - 12:50 PM Dunham II Joan Peters
11:30 AM - 12:50 PM Modern II Dudley Williams
1:30 PM - 2:50 PM Modern III/IV Kazuko Hirabayashi
1:30 PM - 2:50 PM Jazz II Eddie Stockton
3:00 PM - 4:20 PM Hip-Hop Jonathan Lee
3:00 PM - 4:20 PM Modern I Marianne Bachmann
3:00 PM - 4:20 PM Modern III Penny Frank

Wed, February 5

Alvin Ailey American Dance Theater

Washington, DC

7:30 pm

The Kennedy Center

800-444-1324

Program subject to change.

The River

By turns muscular and lyrical, The River is a sweeping full-company work that suggests tumbling rapids and meandering streams on a journey to the sea. Ailey’s allegory of birth, life and rebirth abounds with water references, from the spinning “Vortex” solo to the romantic “Lake” duet, and from the powerful “Falls” quartet to the joyful “Giggling Rapids.” The choreography demonstrates Ailey’s admiration for classical ballet, but retains the modern and jazz influences found in all his work. “The River shows Mr. Ailey at his inventive best,” declared The New York Times.

Four Corners

In Ronald K. Brown’s Four Corners, 11 dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. In creating his fifth commission for the Ailey company since 1999, the celebrated choreographer turned to the song “Lamentations” by his friend, recording artist Carl Hancock Rux. Drawing from West African and modern dance influences, Brown uses grounded, earthy movements to portray figures who are burdened by grief but ultimately find peace, solace, and freedom with the aid of “the angels in their corners” mentioned in Rux’s text.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Ailey II

Courbevoie, France

8:45 pm

Tickets not yet on sale.

Espace Carpeaux

+33 1 46 67 70 00

Program subject to change.

Wings

What if there were angels moving among us on earth? Rising choreographer Jennifer Archibald explores this intriguing possibility in her new work, Wings -- an unabashedly emotional portrayal of interactions between angels and humans. Set to an ambient score by veteran dance composer Michael Wall, Archibald’s movement is ferocious yet vulnerable, showcasing both the dancers’ athletic prowess and raw honesty.

We

The charming duet We, by Alvin Ailey American Dance Theater Artistic Director Robert Battle, depicts a seasoned relationship between a couple.

Rusty

Paris-born choreographer Benoit-Swan Pouffer, a former member of Alvin Ailey American Dance Theater and the former artistic director of Cedar Lake Contemporary Ballet, brings a European sensibility to Ailey II’s repertory with this new work.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Public Classes

New York, NY

Prepay for Classes

10:30 AM - 12:00 PM Advanced Beginner Ballet Kat Wildish
12:15 PM - 1:30 PM Pointe Kat Wildish
6:00 PM - 7:00 PM Groovefit Bellydance
CANCELLED
6:00 PM - 7:30 PM West African Vado Diomande
6:30 PM - 8:00 PM Afro-Cuban La Mora
7:00 PM - 8:30 PM Absolute Beginner Ballet Finis Jhung
7:00 PM - 8:30 PM Advanced Beginner Hip-Hop TweetBoogie
7:00 PM - 8:30 PM Beginner Horton Iquail Johnson
7:30 PM - 9:00 PM Advanced Beginner Ballet Kat Wildish
7:30 PM - 9:00 PM Beginner Samba / Afro Brazilian
SUB: Lisa Green
7:30 PM - 9:00 PM Absolute Beginner Hip-Hop Robin Dunn
7:30 PM - 9:00 PM Power Ashtanga Yoga Irini Res

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Ballet III Pedro Ruiz
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 9:50 AM Ballet II
10:00 AM - 11:20 AM Horton I Ana Marie Forsythe
10:00 AM - 11:20 AM Horton III Elizabeth Roxas
10:00 AM - 11:20 AM Ballet VII Jenny Chiang
10:00 AM - 11:20 AM Intermediate Pointe Celia Marino
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Beginner/Intermediate Men’s Ballet Robert Atwood
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Peter Brandenhoff
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
11:30 AM - 12:50 PM Jazz III Hollie Wright
11:30 AM - 12:50 PM Gyrokinesis®
11:30 AM - 12:50 PM Horton IV Ana Marie Forsythe
11:30 AM - 12:50 PM Ballet IV Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Jacqulyn Buglisi
11:30 AM - 12:50 PM Body Conditioning Wendy Amos
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Horton II Elizabeth Roxas
1:30 PM - 2:50 PM Modern II Kevin Predmore

Thu, February 6

Alvin Ailey American Dance Theater

Washington, DC

7:30 pm

The Kennedy Center

800-444-1324

Program subject to change.

LIFT

This propulsive world premiere by in-demand choreographer Aszure Barton accentuates the vitality and physical prowess of the Ailey company. Driven by the dancers’ passion, skill and collective power, the work was created over a 5-week developmental process with the entire Company. The percussive score, composed by Curtis Macdonald, is infused with the infectious energy and heart that she observed in her initial encounters with the Ailey dancers.

Petite Mort

Visual surprises abound in this tantalizing contemporary ballet, which blends a classical sensibility with a bold, modern wit.  The choreography includes six men, six women, and six fencing foils.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Elizabeth Roxas
8:30 AM - 9:50 AM Ballet IV Pedro Ruiz
8:30 AM - 9:50 AM Ballet III Graciela Kozak and Peter Brandenhoff
8:30 AM - 9:50 AM Ballet VI Celia Marino
9:00 AM - 9:50 AM Ballet II
10:00 AM - 11:20 AM Tap I Courtney Tilford
10:00 AM - 11:20 AM Horton I Tracy Inman
10:00 AM - 11:20 AM Horton III Milton Myers
10:00 AM - 11:20 AM Ballet IV Beth Goheen
10:00 AM - 11:20 AM Yoga I Leslie Journet
10:00 AM - 11:20 AM Modern I Marianne Bachmann
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
10:00 AM - 11:20 AM Ballet V Peter Brandenhoff and Graciela Kozak
11:30 AM - 12:50 PM Ballet IV Nancy Turano
11:30 AM - 12:50 PM Beginner Pointe Celia Marino
11:30 AM - 12:50 PM Horton II Milton Myers
11:30 AM - 12:50 PM Taylor Technique Carolyn Adams
11:30 AM - 12:50 PM Intermediate/Advanced Men's Ballet Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Martin Lofsness
11:30 AM - 12:50 PM Dunham II Joan Peters
11:30 AM - 12:50 PM Modern II Ari Mayzick
1:30 PM - 2:50 PM Modern III/IV Dudley Williams
1:30 PM - 2:50 PM Jazz II Eddie Stockton
1:30 PM - 2:50 PM Horton II Fredrick Earl Mosley
3:00 PM - 4:20 PM Hip-Hop Jonathan Lee
3:00 PM - 4:20 PM Modern I Marianne Bachmann
3:00 PM - 4:20 PM Modern III Penny Frank

Fri, February 7

Alvin Ailey American Dance Theater

Washington, DC

7:30 pm

The Kennedy Center

800-444-1324

Program subject to change.

Chroma

The groundbreaking British choreographer's contemporary ballet is full of sensory suprises: sumptuous movement, a driving score by Joby Talbot with orchestrations of songs by The White Stripes, and a luminous set by minimalist architect John Pawson.

D-Man in the Waters (Part I)

In this exhilarating work by Kennedy Center Honoree, MacArthur Grant awardee and Tony Award-winner Bill T. Jones (Fela!, Spring Awakening), rigorous formalism and musicality embody resilience and triumph over loss.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Intermediate Barre à Terre Marguerite Wesley
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 12:00 AM Ballet II
10:00 AM - 11:20 AM Horton I Graciela Kozak
10:00 AM - 11:20 AM Horton III Adrienne Hurd
10:00 AM - 11:20 AM Ballet VII Jenny Chiang
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Ballet II/III Pedro Ruiz
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Celia Marino
10:00 AM - 11:20 AM Modern II Christine Dakin
11:30 AM - 12:50 PM Gyrokinesis®
11:30 AM - 12:50 PM Horton II Guillermo Asca
11:30 AM - 12:50 PM Ballet IV Celia Marino
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Christine Dakin
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Jazz II Hollie Wright
1:30 PM - 2:50 PM Horton II Freddie Moore
1:30 PM - 2:50 PM Modern II Kevin Predmore

Sat, February 8

Alvin Ailey American Dance Theater

Washington, DC

1:30 pm

The Kennedy Center

800-444-1324

Program subject to change.

LIFT

This propulsive world premiere by in-demand choreographer Aszure Barton accentuates the vitality and physical prowess of the Ailey company. Driven by the dancers’ passion, skill and collective power, the work was created over a 5-week developmental process with the entire Company. The percussive score, composed by Curtis Macdonald, is infused with the infectious energy and heart that she observed in her initial encounters with the Ailey dancers.

Petite Mort

Visual surprises abound in this tantalizing contemporary ballet, which blends a classical sensibility with a bold, modern wit.  The choreography includes six men, six women, and six fencing foils.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Alvin Ailey American Dance Theater

Washington, DC

7:30 pm

The Kennedy Center

800-444-1324

Program subject to change.

Chroma

The groundbreaking British choreographer's contemporary ballet is full of sensory suprises: sumptuous movement, a driving score by Joby Talbot with orchestrations of songs by The White Stripes, and a luminous set by minimalist architect John Pawson.

D-Man in the Waters (Part I)

In this exhilarating work by Kennedy Center Honoree, MacArthur Grant awardee and Tony Award-winner Bill T. Jones (Fela!, Spring Awakening), rigorous formalism and musicality embody resilience and triumph over loss.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Sun, February 9

Alvin Ailey American Dance Theater

Washington, DC

1:30 pm

The Kennedy Center

800-444-1324

Program subject to change.

The River

By turns muscular and lyrical, The River is a sweeping full-company work that suggests tumbling rapids and meandering streams on a journey to the sea. Ailey’s allegory of birth, life and rebirth abounds with water references, from the spinning “Vortex” solo to the romantic “Lake” duet, and from the powerful “Falls” quartet to the joyful “Giggling Rapids.” The choreography demonstrates Ailey’s admiration for classical ballet, but retains the modern and jazz influences found in all his work. “The River shows Mr. Ailey at his inventive best,” declared The New York Times.

Four Corners

In Ronald K. Brown’s Four Corners, 11 dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. In creating his fifth commission for the Ailey company since 1999, the celebrated choreographer turned to the song “Lamentations” by his friend, recording artist Carl Hancock Rux. Drawing from West African and modern dance influences, Brown uses grounded, earthy movements to portray figures who are burdened by grief but ultimately find peace, solace, and freedom with the aid of “the angels in their corners” mentioned in Rux’s text.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Mon, February 10

 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Ballet III Pedro Ruiz
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Intermediate Barre à Terre Marguerite Wesley
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 10:20 AM Ballet II
10:00 AM - 11:20 AM Horton III Elizabeth Roxas
10:00 AM - 11:20 AM Ballet VII Celia Marino
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Beginner/Intermediate Men’s Ballet Robert Atwood
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Pedro Ruiz
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Jacqulyn Buglisi
11:30 AM - 12:50 PM Jazz III Hollie Wright
11:30 AM - 12:50 PM Horton II Guillermo Asca
11:30 AM - 12:50 PM Horton IV Ana Marie Forsythe
11:30 AM - 12:50 PM Ballet IV Celia Marino
11:30 AM - 12:50 PM Body Conditioning Wendy Amos
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Horton II Freddie Moore
1:30 PM - 2:50 PM Jazz II Hollie Wright
1:30 PM - 2:50 PM Modern II Kevin Predmore

Tue, February 11

 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Elizabeth Roxas
8:30 AM - 9:50 AM Ballet IV Pedro Ruiz
8:30 AM - 9:50 AM Ballet III Graciela Kozak and Peter Brandenhoff
8:30 AM - 9:50 AM Ballet VI Celia Marino
9:00 AM - 10:20 AM Ballet II
10:00 AM - 11:20 AM Tap I Courtney Tilford
10:00 AM - 11:20 AM Horton I Tracy Inman
10:00 AM - 11:20 AM Horton III Ana Marie Forsythe
10:00 AM - 11:20 AM Ballet IV Beth Goheen
10:00 AM - 11:20 AM Yoga I Leslie Journet
10:00 AM - 11:20 AM Modern I Marianne Bachmann
10:00 AM - 11:20 AM Ballet VI Nancy Turano
10:00 AM - 11:20 AM Modern II Marianne Bachmann and Jacqulyn Buglisi
10:00 AM - 11:20 AM Ballet V Peter Brandenhoff and Graciela Kozak
11:30 AM - 12:50 PM Ballet IV Nancy Turano
11:30 AM - 12:50 PM Advanced Pointe Celia Marino
11:30 AM - 12:50 PM Horton II Ana Marie Forsythe
11:30 AM - 12:50 PM Taylor Technique Carolyn Adams
11:30 AM - 12:50 PM Intermediate/Advanced Men's Ballet Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Martin Lofsness
11:30 AM - 12:50 PM Dunham II Joan Peters
11:30 AM - 12:50 PM Modern II Dudley Williams
1:30 PM - 2:50 PM Modern III/IV Kazuko Hirabayashi
1:30 PM - 2:50 PM Jazz II Eddie Stockton
3:00 PM - 4:20 PM Hip-Hop Jonathan Lee
3:00 PM - 4:20 PM Modern I Marianne Bachmann
3:00 PM - 4:20 PM Modern III Penny Frank

Wed, February 12

 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Ballet III Pedro Ruiz
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 9:50 AM Ballet II
10:00 AM - 11:20 AM Horton I Ana Marie Forsythe
10:00 AM - 11:20 AM Horton III Elizabeth Roxas
10:00 AM - 11:20 AM Ballet VII Jenny Chiang
10:00 AM - 11:20 AM Intermediate Pointe Celia Marino
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Beginner/Intermediate Men’s Ballet Robert Atwood
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Peter Brandenhoff
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
11:30 AM - 12:50 PM Jazz III Hollie Wright
11:30 AM - 12:50 PM Gyrokinesis®
11:30 AM - 12:50 PM Horton IV Ana Marie Forsythe
11:30 AM - 12:50 PM Ballet IV Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Jacqulyn Buglisi
11:30 AM - 12:50 PM Body Conditioning Wendy Amos
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Horton II Elizabeth Roxas
1:30 PM - 2:50 PM Modern II Kevin Predmore

Thu, February 13

 

Public Classes

New York, NY

Prepay for Classes

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I
CANCELLED
8:30 AM - 9:50 AM Ballet IV
CANCELLED
8:30 AM - 9:50 AM Ballet III
CANCELLED
8:30 AM - 9:50 AM Ballet VI
CANCELLED
9:00 AM - 9:50 AM Ballet II
10:00 AM - 11:20 AM Tap I Courtney Tilford
10:00 AM - 11:20 AM Horton I Tracy Inman
10:00 AM - 11:20 AM Horton III Milton Myers
10:00 AM - 11:20 AM Ballet IV Beth Goheen
10:00 AM - 11:20 AM Yoga I Leslie Journet
10:00 AM - 11:20 AM Modern I Marianne Bachmann
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
10:00 AM - 11:20 AM Ballet V Peter Brandenhoff and Graciela Kozak
11:30 AM - 12:50 PM Ballet IV Nancy Turano
11:30 AM - 12:50 PM Beginner Pointe Celia Marino
11:30 AM - 12:50 PM Horton II Milton Myers
11:30 AM - 12:50 PM Taylor Technique Carolyn Adams
11:30 AM - 12:50 PM Intermediate/Advanced Men's Ballet Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Martin Lofsness
11:30 AM - 12:50 PM Dunham II Joan Peters
11:30 AM - 12:50 PM Modern II Ari Mayzick
1:30 PM - 2:50 PM Modern III/IV Dudley Williams
1:30 PM - 2:50 PM Jazz II Eddie Stockton
1:30 PM - 2:50 PM Horton II Fredrick Earl Mosley
3:00 PM - 4:20 PM Hip-Hop Jonathan Lee
3:00 PM - 4:20 PM Modern I Marianne Bachmann
3:00 PM - 4:20 PM Modern III Penny Frank

Fri, February 14

Ailey II

Edmonton, AB Canada

7:30 pm

Northern Alberta Jubilee Auditorium

1-855-985-5000

Program subject to change.

The External Knot

This modern work by Ailey II Artistic Director Troy Powell follows the journey of a young man and his internal battle to assert his independence from others.  A fluid series of solos, duets, and ensemble sections build to a climax with transporting music by Philip Glass and Robert Schumann. 

We

The charming duet We, by Alvin Ailey American Dance Theater Artistic Director Robert Battle, depicts a seasoned relationship between a couple.

Rusty

Paris-born choreographer Benoit-Swan Pouffer, a former member of Alvin Ailey American Dance Theater and the former artistic director of Cedar Lake Contemporary Ballet, brings a European sensibility to Ailey II’s repertory with this new work.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Alvin Ailey American Dance Theater

Atlanta, GA

8:00 pm

The Fox Theatre

1-855-285-8499

Ailey / Ellington
Program subject to change.

Night Creature

Alvin Ailey’s Night Creature is a bubbly champagne cocktail of a dance, a perfect fusion of Ailey’s buoyant choreography and Duke Ellington’s sparkling music.  At once wistful and sassy, it beckons viewers into a nocturnal world populated by jazz babies and night owls.

Pas de Duke

Pas de Duke is Alvin Ailey’s spirited modern dance translation of a classical pas de deux, originally created in 1976 as a showcase for Judith Jamison and Mikhail Baryshnikov. She was a reigning star of modern dance; he was one of the world’s most famous ballet dancers, having defected from the Soviet Union two years earlier. Ailey made brilliant use of the dancers’ physical and stylistic differences, crafting an elegant, flirtatious work that showed off their exuberance and virtuosity as they engaged in a playful game of one-upmanship.  

The River

By turns muscular and lyrical, The River is a sweeping full-company work that suggests tumbling rapids and meandering streams on a journey to the sea. Ailey’s allegory of birth, life and rebirth abounds with water references, from the spinning “Vortex” solo to the romantic “Lake” duet, and from the powerful “Falls” quartet to the joyful “Giggling Rapids.” The choreography demonstrates Ailey’s admiration for classical ballet, but retains the modern and jazz influences found in all his work. “The River shows Mr. Ailey at his inventive best,” declared The New York Times.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Intermediate Barre à Terre Marguerite Wesley
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 12:00 AM Ballet II
10:00 AM - 11:20 AM Horton I Graciela Kozak
10:00 AM - 11:20 AM Horton III Adrienne Hurd
10:00 AM - 11:20 AM Ballet VII Jenny Chiang
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Ballet II/III Pedro Ruiz
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Celia Marino
10:00 AM - 11:20 AM Modern II Christine Dakin
11:30 AM - 12:50 PM Gyrokinesis®
11:30 AM - 12:50 PM Horton II Guillermo Asca
11:30 AM - 12:50 PM Ballet IV Celia Marino
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Christine Dakin
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Jazz II Hollie Wright
1:30 PM - 2:50 PM Horton II Freddie Moore
1:30 PM - 2:50 PM Modern II Kevin Predmore

Sat, February 15

Alvin Ailey American Dance Theater

Atlanta, GA

2:00 pm

The Fox Theatre

1-855-285-8499

Ailey / Ellington
Program subject to change.

Night Creature

Alvin Ailey’s Night Creature is a bubbly champagne cocktail of a dance, a perfect fusion of Ailey’s buoyant choreography and Duke Ellington’s sparkling music.  At once wistful and sassy, it beckons viewers into a nocturnal world populated by jazz babies and night owls.

Pas de Duke

Pas de Duke is Alvin Ailey’s spirited modern dance translation of a classical pas de deux, originally created in 1976 as a showcase for Judith Jamison and Mikhail Baryshnikov. She was a reigning star of modern dance; he was one of the world’s most famous ballet dancers, having defected from the Soviet Union two years earlier. Ailey made brilliant use of the dancers’ physical and stylistic differences, crafting an elegant, flirtatious work that showed off their exuberance and virtuosity as they engaged in a playful game of one-upmanship.  

The River

By turns muscular and lyrical, The River is a sweeping full-company work that suggests tumbling rapids and meandering streams on a journey to the sea. Ailey’s allegory of birth, life and rebirth abounds with water references, from the spinning “Vortex” solo to the romantic “Lake” duet, and from the powerful “Falls” quartet to the joyful “Giggling Rapids.” The choreography demonstrates Ailey’s admiration for classical ballet, but retains the modern and jazz influences found in all his work. “The River shows Mr. Ailey at his inventive best,” declared The New York Times.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Ailey II

Edmonton, AB Canada

7:30 pm

Northern Alberta Jubilee Auditorium

1-855-985-5000

Program subject to change.

The External Knot

This modern work by Ailey II Artistic Director Troy Powell follows the journey of a young man and his internal battle to assert his independence from others.  A fluid series of solos, duets, and ensemble sections build to a climax with transporting music by Philip Glass and Robert Schumann. 

We

The charming duet We, by Alvin Ailey American Dance Theater Artistic Director Robert Battle, depicts a seasoned relationship between a couple.

Rusty

Paris-born choreographer Benoit-Swan Pouffer, a former member of Alvin Ailey American Dance Theater and the former artistic director of Cedar Lake Contemporary Ballet, brings a European sensibility to Ailey II’s repertory with this new work.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Alvin Ailey American Dance Theater

Atlanta, GA

8:00 pm

The Fox Theatre

1-855-285-8499

Program subject to change.

Four Corners

In Ronald K. Brown’s Four Corners, 11 dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. In creating his fifth commission for the Ailey company since 1999, the celebrated choreographer turned to the song “Lamentations” by his friend, recording artist Carl Hancock Rux. Drawing from West African and modern dance influences, Brown uses grounded, earthy movements to portray figures who are burdened by grief but ultimately find peace, solace, and freedom with the aid of “the angels in their corners” mentioned in Rux’s text.

Strange Humors

Equal parts comedic and combative, Artistic Director Robert Battle’s Strange Humors is an eccentric, jocular display for two dancers.  Composer John Mackey, with whom Battle is a frequent collaborator, provides a fiery score propelled by elements of African hand drumming and Middle Eastern folk music.

Minus 16

Featuring an eclectic score ranging from Dean Martin to mambo, techno to traditional Israeli music, Ohad Naharin’s Minus 16 uses improvisation and Naharin’s acclaimed “Gaga” method, a unique movement language that breaks down old habits, pushing the dancers to challenge themselves in new ways.  

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Sun, February 16

Alvin Ailey American Dance Theater

Atlanta, GA

3:00 pm

The Fox Theatre

1-855-285-8499

Program subject to change.

LIFT

This propulsive world premiere by in-demand choreographer Aszure Barton accentuates the vitality and physical prowess of the Ailey company. Driven by the dancers’ passion, skill and collective power, the work was created over a 5-week developmental process with the entire Company. The percussive score, composed by Curtis Macdonald, is infused with the infectious energy and heart that she observed in her initial encounters with the Ailey dancers.

D-Man in the Waters (Part I)

In this exhilarating work by Kennedy Center Honoree, MacArthur Grant awardee and Tony Award-winner Bill T. Jones (Fela!, Spring Awakening), rigorous formalism and musicality embody resilience and triumph over loss.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Alvin Ailey American Dance Theater

Atlanta, GA

7:30 pm

The Fox Theatre

1-855-285-8499

Ailey / Ellington
Program subject to change.

Night Creature

Alvin Ailey’s Night Creature is a bubbly champagne cocktail of a dance, a perfect fusion of Ailey’s buoyant choreography and Duke Ellington’s sparkling music.  At once wistful and sassy, it beckons viewers into a nocturnal world populated by jazz babies and night owls.

Pas de Duke

Pas de Duke is Alvin Ailey’s spirited modern dance translation of a classical pas de deux, originally created in 1976 as a showcase for Judith Jamison and Mikhail Baryshnikov. She was a reigning star of modern dance; he was one of the world’s most famous ballet dancers, having defected from the Soviet Union two years earlier. Ailey made brilliant use of the dancers’ physical and stylistic differences, crafting an elegant, flirtatious work that showed off their exuberance and virtuosity as they engaged in a playful game of one-upmanship.  

The River

By turns muscular and lyrical, The River is a sweeping full-company work that suggests tumbling rapids and meandering streams on a journey to the sea. Ailey’s allegory of birth, life and rebirth abounds with water references, from the spinning “Vortex” solo to the romantic “Lake” duet, and from the powerful “Falls” quartet to the joyful “Giggling Rapids.” The choreography demonstrates Ailey’s admiration for classical ballet, but retains the modern and jazz influences found in all his work. “The River shows Mr. Ailey at his inventive best,” declared The New York Times.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Mon, February 17

 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Ballet III Pedro Ruiz
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Intermediate Barre à Terre Marguerite Wesley
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 10:20 AM Ballet II
10:00 AM - 11:20 AM Horton III Elizabeth Roxas
10:00 AM - 11:20 AM Ballet VII Celia Marino
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Beginner/Intermediate Men’s Ballet Robert Atwood
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Pedro Ruiz
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Jacqulyn Buglisi
11:30 AM - 12:50 PM Jazz III Hollie Wright
11:30 AM - 12:50 PM Horton II Guillermo Asca
11:30 AM - 12:50 PM Horton IV Ana Marie Forsythe
11:30 AM - 12:50 PM Ballet IV Celia Marino
11:30 AM - 12:50 PM Body Conditioning Wendy Amos
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Horton II Freddie Moore
1:30 PM - 2:50 PM Jazz II Hollie Wright
1:30 PM - 2:50 PM Modern II Kevin Predmore

Tue, February 18

Alvin Ailey American Dance Theater

Clearwater, FL

8:00 pm

Ruth Eckerd Hall

(727) 791-7400

Program subject to change.

The River

By turns muscular and lyrical, The River is a sweeping full-company work that suggests tumbling rapids and meandering streams on a journey to the sea. Ailey’s allegory of birth, life and rebirth abounds with water references, from the spinning “Vortex” solo to the romantic “Lake” duet, and from the powerful “Falls” quartet to the joyful “Giggling Rapids.” The choreography demonstrates Ailey’s admiration for classical ballet, but retains the modern and jazz influences found in all his work. “The River shows Mr. Ailey at his inventive best,” declared The New York Times.

Another Night

Kyle Abraham, one of the most in-demand young choreographers today, presents a richly inventive contemporary jazz piece that showcases the artistry and versatility of the Ailey dancers.  Another Night was inspired by the legendary drummer Art Blakey’s interpretation of the jazz classic “A Night In Tunisia” by Dizzy Gillespie.

Strange Humors

Equal parts comedic and combative, Artistic Director Robert Battle’s Strange Humors is an eccentric, jocular display for two dancers.  Composer John Mackey, with whom Battle is a frequent collaborator, provides a fiery score propelled by elements of African hand drumming and Middle Eastern folk music.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Elizabeth Roxas
8:30 AM - 9:50 AM Ballet IV Pedro Ruiz
8:30 AM - 9:50 AM Ballet III Graciela Kozak and Peter Brandenhoff
8:30 AM - 9:50 AM Ballet VI Celia Marino
9:00 AM - 10:20 AM Ballet II
10:00 AM - 11:20 AM Tap I Courtney Tilford
10:00 AM - 11:20 AM Horton I Tracy Inman
10:00 AM - 11:20 AM Horton III Ana Marie Forsythe
10:00 AM - 11:20 AM Ballet IV Beth Goheen
10:00 AM - 11:20 AM Yoga I Leslie Journet
10:00 AM - 11:20 AM Modern I Marianne Bachmann
10:00 AM - 11:20 AM Ballet VI Nancy Turano
10:00 AM - 11:20 AM Modern II Marianne Bachmann and Jacqulyn Buglisi
10:00 AM - 11:20 AM Ballet V Peter Brandenhoff and Graciela Kozak
11:30 AM - 12:50 PM Ballet IV Nancy Turano
11:30 AM - 12:50 PM Advanced Pointe Celia Marino
11:30 AM - 12:50 PM Horton II Ana Marie Forsythe
11:30 AM - 12:50 PM Taylor Technique Carolyn Adams
11:30 AM - 12:50 PM Intermediate/Advanced Men's Ballet Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Martin Lofsness
11:30 AM - 12:50 PM Dunham II Joan Peters
11:30 AM - 12:50 PM Modern II Dudley Williams
1:30 PM - 2:50 PM Modern III/IV Kazuko Hirabayashi
1:30 PM - 2:50 PM Jazz II Eddie Stockton
3:00 PM - 4:20 PM Hip-Hop Jonathan Lee
3:00 PM - 4:20 PM Modern I Marianne Bachmann
3:00 PM - 4:20 PM Modern III Penny Frank

Wed, February 19

 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Ballet III Pedro Ruiz
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 9:50 AM Ballet II
10:00 AM - 11:20 AM Horton I Ana Marie Forsythe
10:00 AM - 11:20 AM Horton III Elizabeth Roxas
10:00 AM - 11:20 AM Ballet VII Jenny Chiang
10:00 AM - 11:20 AM Intermediate Pointe Celia Marino
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Beginner/Intermediate Men’s Ballet Robert Atwood
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Peter Brandenhoff
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
11:30 AM - 12:50 PM Jazz III Hollie Wright
11:30 AM - 12:50 PM Gyrokinesis®
11:30 AM - 12:50 PM Horton IV Ana Marie Forsythe
11:30 AM - 12:50 PM Ballet IV Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Jacqulyn Buglisi
11:30 AM - 12:50 PM Body Conditioning Wendy Amos
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Horton II Elizabeth Roxas
1:30 PM - 2:50 PM Modern II Kevin Predmore

Thu, February 20

Ailey II

Calgary, AB Canada

7:30 pm

Southern Alberta Jubilee Auditorium

1-855-985-5000

Program subject to change.

The External Knot

This modern work by Ailey II Artistic Director Troy Powell follows the journey of a young man and his internal battle to assert his independence from others.  A fluid series of solos, duets, and ensemble sections build to a climax with transporting music by Philip Glass and Robert Schumann. 

We

The charming duet We, by Alvin Ailey American Dance Theater Artistic Director Robert Battle, depicts a seasoned relationship between a couple.

Rusty

Paris-born choreographer Benoit-Swan Pouffer, a former member of Alvin Ailey American Dance Theater and the former artistic director of Cedar Lake Contemporary Ballet, brings a European sensibility to Ailey II’s repertory with this new work.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Alvin Ailey American Dance Theater

Miami, FL

8:00 pm

Adrienne Arsht Center for the Performing Arts

305-949-6722

Program subject to change.

Chroma

The groundbreaking British choreographer's contemporary ballet is full of sensory suprises: sumptuous movement, a driving score by Joby Talbot with orchestrations of songs by The White Stripes, and a luminous set by minimalist architect John Pawson.

Four Corners

In Ronald K. Brown’s Four Corners, 11 dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. In creating his fifth commission for the Ailey company since 1999, the celebrated choreographer turned to the song “Lamentations” by his friend, recording artist Carl Hancock Rux. Drawing from West African and modern dance influences, Brown uses grounded, earthy movements to portray figures who are burdened by grief but ultimately find peace, solace, and freedom with the aid of “the angels in their corners” mentioned in Rux’s text.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Public Classes

New York, NY

Prepay for Classes

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Elizabeth Roxas
8:30 AM - 9:50 AM Ballet IV Pedro Ruiz
8:30 AM - 9:50 AM Ballet III Graciela Kozak and Peter Brandenhoff
8:30 AM - 9:50 AM Ballet VI Celia Marino
9:00 AM - 9:50 AM Ballet II
10:00 AM - 11:20 AM Tap I Courtney Tilford
10:00 AM - 11:20 AM Horton I Tracy Inman
10:00 AM - 11:20 AM Horton III Milton Myers
10:00 AM - 11:20 AM Ballet IV Beth Goheen
10:00 AM - 11:20 AM Yoga I Leslie Journet
10:00 AM - 11:20 AM Modern I Marianne Bachmann
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
10:00 AM - 11:20 AM Ballet V Peter Brandenhoff and Graciela Kozak
11:30 AM - 12:50 PM Ballet IV Nancy Turano
11:30 AM - 12:50 PM Beginner Pointe Celia Marino
11:30 AM - 12:50 PM Horton II Milton Myers
11:30 AM - 12:50 PM Taylor Technique Carolyn Adams
11:30 AM - 12:50 PM Intermediate/Advanced Men's Ballet Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Martin Lofsness
11:30 AM - 12:50 PM Dunham II Joan Peters
11:30 AM - 12:50 PM Modern II Ari Mayzick
1:30 PM - 2:50 PM Modern III/IV Dudley Williams
1:30 PM - 2:50 PM Jazz II Eddie Stockton
1:30 PM - 2:50 PM Horton II Fredrick Earl Mosley
3:00 PM - 4:20 PM Hip-Hop Jonathan Lee
3:00 PM - 4:20 PM Modern I Marianne Bachmann
3:00 PM - 4:20 PM Modern III Penny Frank

Fri, February 21

Ailey II

Calgary, AB Canada

7:30 pm

Southern Alberta Jubilee Auditorium

1-855-985-5000

Program subject to change.

The External Knot

This modern work by Ailey II Artistic Director Troy Powell follows the journey of a young man and his internal battle to assert his independence from others.  A fluid series of solos, duets, and ensemble sections build to a climax with transporting music by Philip Glass and Robert Schumann. 

We

The charming duet We, by Alvin Ailey American Dance Theater Artistic Director Robert Battle, depicts a seasoned relationship between a couple.

Rusty

Paris-born choreographer Benoit-Swan Pouffer, a former member of Alvin Ailey American Dance Theater and the former artistic director of Cedar Lake Contemporary Ballet, brings a European sensibility to Ailey II’s repertory with this new work.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Alvin Ailey American Dance Theater

Miami, FL

8:00 pm

Adrienne Arsht Center for the Performing Arts

305-949-6722

Program subject to change.

LIFT

This propulsive world premiere by in-demand choreographer Aszure Barton accentuates the vitality and physical prowess of the Ailey company. Driven by the dancers’ passion, skill and collective power, the work was created over a 5-week developmental process with the entire Company. The percussive score, composed by Curtis Macdonald, is infused with the infectious energy and heart that she observed in her initial encounters with the Ailey dancers.

D-Man in the Waters (Part I)

In this exhilarating work by Kennedy Center Honoree, MacArthur Grant awardee and Tony Award-winner Bill T. Jones (Fela!, Spring Awakening), rigorous formalism and musicality embody resilience and triumph over loss.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Intermediate Barre à Terre Marguerite Wesley
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 12:00 AM Ballet II
10:00 AM - 11:20 AM Horton I Graciela Kozak
10:00 AM - 11:20 AM Horton III Adrienne Hurd
10:00 AM - 11:20 AM Ballet VII Jenny Chiang
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Ballet II/III Pedro Ruiz
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Celia Marino
10:00 AM - 11:20 AM Modern II Christine Dakin
11:30 AM - 12:50 PM Gyrokinesis®
11:30 AM - 12:50 PM Horton II Guillermo Asca
11:30 AM - 12:50 PM Ballet IV Celia Marino
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Christine Dakin
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Jazz II Hollie Wright
1:30 PM - 2:50 PM Horton II Freddie Moore
1:30 PM - 2:50 PM Modern II Kevin Predmore

Sat, February 22

Alvin Ailey American Dance Theater

Miami, FL

2:00 pm

Adrienne Arsht Center for the Performing Arts

305-949-6722

Ailey / Ellington
Program subject to change.

Night Creature

Alvin Ailey’s Night Creature is a bubbly champagne cocktail of a dance, a perfect fusion of Ailey’s buoyant choreography and Duke Ellington’s sparkling music.  At once wistful and sassy, it beckons viewers into a nocturnal world populated by jazz babies and night owls.

Pas de Duke

Pas de Duke is Alvin Ailey’s spirited modern dance translation of a classical pas de deux, originally created in 1976 as a showcase for Judith Jamison and Mikhail Baryshnikov. She was a reigning star of modern dance; he was one of the world’s most famous ballet dancers, having defected from the Soviet Union two years earlier. Ailey made brilliant use of the dancers’ physical and stylistic differences, crafting an elegant, flirtatious work that showed off their exuberance and virtuosity as they engaged in a playful game of one-upmanship.  

The River

By turns muscular and lyrical, The River is a sweeping full-company work that suggests tumbling rapids and meandering streams on a journey to the sea. Ailey’s allegory of birth, life and rebirth abounds with water references, from the spinning “Vortex” solo to the romantic “Lake” duet, and from the powerful “Falls” quartet to the joyful “Giggling Rapids.” The choreography demonstrates Ailey’s admiration for classical ballet, but retains the modern and jazz influences found in all his work. “The River shows Mr. Ailey at his inventive best,” declared The New York Times.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Ailey II

Calgary, AB Canada

2:00 pm

Southern Alberta Jubilee Auditorium

1-855-985-5000

Program subject to change.

The External Knot

This modern work by Ailey II Artistic Director Troy Powell follows the journey of a young man and his internal battle to assert his independence from others.  A fluid series of solos, duets, and ensemble sections build to a climax with transporting music by Philip Glass and Robert Schumann. 

We

The charming duet We, by Alvin Ailey American Dance Theater Artistic Director Robert Battle, depicts a seasoned relationship between a couple.

Rusty

Paris-born choreographer Benoit-Swan Pouffer, a former member of Alvin Ailey American Dance Theater and the former artistic director of Cedar Lake Contemporary Ballet, brings a European sensibility to Ailey II’s repertory with this new work.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Ailey II

Calgary, AB Canada

7:30 pm

Southern Alberta Jubilee Auditorium

1-855-985-5000

Program subject to change.

The External Knot

This modern work by Ailey II Artistic Director Troy Powell follows the journey of a young man and his internal battle to assert his independence from others.  A fluid series of solos, duets, and ensemble sections build to a climax with transporting music by Philip Glass and Robert Schumann. 

We

The charming duet We, by Alvin Ailey American Dance Theater Artistic Director Robert Battle, depicts a seasoned relationship between a couple.

Rusty

Paris-born choreographer Benoit-Swan Pouffer, a former member of Alvin Ailey American Dance Theater and the former artistic director of Cedar Lake Contemporary Ballet, brings a European sensibility to Ailey II’s repertory with this new work.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Alvin Ailey American Dance Theater

Miami, FL

8:00 pm

Adrienne Arsht Center for the Performing Arts

305-949-6722

Program subject to change.

Chroma

The groundbreaking British choreographer's contemporary ballet is full of sensory suprises: sumptuous movement, a driving score by Joby Talbot with orchestrations of songs by The White Stripes, and a luminous set by minimalist architect John Pawson.

Four Corners

In Ronald K. Brown’s Four Corners, 11 dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. In creating his fifth commission for the Ailey company since 1999, the celebrated choreographer turned to the song “Lamentations” by his friend, recording artist Carl Hancock Rux. Drawing from West African and modern dance influences, Brown uses grounded, earthy movements to portray figures who are burdened by grief but ultimately find peace, solace, and freedom with the aid of “the angels in their corners” mentioned in Rux’s text.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Public Classes

New York, NY

Prepay for Classes

Sun, February 23

Alvin Ailey American Dance Theater

Miami, FL

2:00 pm

Adrienne Arsht Center for the Performing Arts

305-949-6722

Program subject to change.

LIFT

This propulsive world premiere by in-demand choreographer Aszure Barton accentuates the vitality and physical prowess of the Ailey company. Driven by the dancers’ passion, skill and collective power, the work was created over a 5-week developmental process with the entire Company. The percussive score, composed by Curtis Macdonald, is infused with the infectious energy and heart that she observed in her initial encounters with the Ailey dancers.

D-Man in the Waters (Part I)

In this exhilarating work by Kennedy Center Honoree, MacArthur Grant awardee and Tony Award-winner Bill T. Jones (Fela!, Spring Awakening), rigorous formalism and musicality embody resilience and triumph over loss.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Mon, February 24

Alvin Ailey American Dance Theater

West Palm Beach, FL

7:00 pm

Kravis Center

561-832-7469

Program subject to change.

Minus 16

Featuring an eclectic score ranging from Dean Martin to mambo, techno to traditional Israeli music, Ohad Naharin’s Minus 16 uses improvisation and Naharin’s acclaimed “Gaga” method, a unique movement language that breaks down old habits, pushing the dancers to challenge themselves in new ways.  

Takademe

Robert Battle’s bravura work mixes humor and high-flying movement in a savvy deconstruction of Indian Kathak dance rhythms. Clear shapes and propulsive jumps mimic the vocalized syllables of Sheila Chandra's syncopated score.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Ailey II

Wenatchee, WA

7:30 pm

Performing Arts Center of Wenatchee

509-663-ARTS

Program subject to change.

Alchemies

In Alchemies, up-and-coming choreographer Adam Barruch transforms everyday gestures – a reach, an embrace, a finger pointed skyward – into a reverie of human interactions.

One Forgotten Moment

Chicago native Malcolm Low is a highly-regarded rising choreographic talent.  His new work, One Forgotten Moment – set to music by Damon White, Cole Porter (Annie Lennox’s version of “Ev’ry Time We Say Goodbye”), and Arvo Pärt – depicts the love and loss of various relationships. 

Cuore Sott’olio

In Polish choreographer Katarzyna Skarpetowska’s Cuore Sott’Olio (“heart submerged in oil”), a female figure tumbles through the memories of past relationships in a fusion of folk dance and contemporary movement.

Wings

What if there were angels moving among us on earth? Rising choreographer Jennifer Archibald explores this intriguing possibility in her new work, Wings -- an unabashedly emotional portrayal of interactions between angels and humans. Set to an ambient score by veteran dance composer Michael Wall, Archibald’s movement is ferocious yet vulnerable, showcasing both the dancers’ athletic prowess and raw honesty.

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Ballet III Pedro Ruiz
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Intermediate Barre à Terre Marguerite Wesley
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 10:20 AM Ballet II
10:00 AM - 11:20 AM Horton III Elizabeth Roxas
10:00 AM - 11:20 AM Ballet VII Celia Marino
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Beginner/Intermediate Men’s Ballet Robert Atwood
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Pedro Ruiz
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Jacqulyn Buglisi
11:30 AM - 12:50 PM Jazz III Hollie Wright
11:30 AM - 12:50 PM Horton II Guillermo Asca
11:30 AM - 12:50 PM Horton IV Ana Marie Forsythe
11:30 AM - 12:50 PM Ballet IV Celia Marino
11:30 AM - 12:50 PM Body Conditioning Wendy Amos
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Horton II Freddie Moore
1:30 PM - 2:50 PM Jazz II Hollie Wright
1:30 PM - 2:50 PM Modern II Kevin Predmore

Tue, February 25

Alvin Ailey American Dance Theater

Jacksonville, FL

7:30 pm

Times-Union Center for the Performing Arts

904-442-2929

Program subject to change.

Home

Home, choreographed by bold hip-hop choreographer Rennie Harris, is inspired by the stories of people living with or affected by HIV.  Drawing upon poems and images submitted in 2011 to the Fight HIV Your Way contest, an initiative of Bristol-Myers Squibb, Harris created a compelling work that conveys both the chilling isolation and uplifting sense of community many experience.

Petite Mort

Visual surprises abound in this tantalizing contemporary ballet, which blends a classical sensibility with a bold, modern wit.  The choreography includes six men, six women, and six fencing foils.

Strange Humors

Equal parts comedic and combative, Artistic Director Robert Battle’s Strange Humors is an eccentric, jocular display for two dancers.  Composer John Mackey, with whom Battle is a frequent collaborator, provides a fiery score propelled by elements of African hand drumming and Middle Eastern folk music.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Ailey II

Olympia, WA

7:30 pm

Minnaert Center

360-753-8586

Program subject to change.

Alchemies

In Alchemies, up-and-coming choreographer Adam Barruch transforms everyday gestures – a reach, an embrace, a finger pointed skyward – into a reverie of human interactions.

One Forgotten Moment

Chicago native Malcolm Low is a highly-regarded rising choreographic talent.  His new work, One Forgotten Moment – set to music by Damon White, Cole Porter (Annie Lennox’s version of “Ev’ry Time We Say Goodbye”), and Arvo Pärt – depicts the love and loss of various relationships. 

Cuore Sott’olio

In Polish choreographer Katarzyna Skarpetowska’s Cuore Sott’Olio (“heart submerged in oil”), a female figure tumbles through the memories of past relationships in a fusion of folk dance and contemporary movement.

Wings

What if there were angels moving among us on earth? Rising choreographer Jennifer Archibald explores this intriguing possibility in her new work, Wings -- an unabashedly emotional portrayal of interactions between angels and humans. Set to an ambient score by veteran dance composer Michael Wall, Archibald’s movement is ferocious yet vulnerable, showcasing both the dancers’ athletic prowess and raw honesty.

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Elizabeth Roxas
8:30 AM - 9:50 AM Ballet IV Pedro Ruiz
8:30 AM - 9:50 AM Ballet III Graciela Kozak and Peter Brandenhoff
8:30 AM - 9:50 AM Ballet VI Celia Marino
9:00 AM - 10:20 AM Ballet II
10:00 AM - 11:20 AM Tap I Courtney Tilford
10:00 AM - 11:20 AM Horton I Tracy Inman
10:00 AM - 11:20 AM Horton III Ana Marie Forsythe
10:00 AM - 11:20 AM Ballet IV Beth Goheen
10:00 AM - 11:20 AM Yoga I Leslie Journet
10:00 AM - 11:20 AM Modern I Marianne Bachmann
10:00 AM - 11:20 AM Ballet VI Nancy Turano
10:00 AM - 11:20 AM Modern II Marianne Bachmann and Jacqulyn Buglisi
10:00 AM - 11:20 AM Ballet V Peter Brandenhoff and Graciela Kozak
11:30 AM - 12:50 PM Ballet IV Nancy Turano
11:30 AM - 12:50 PM Advanced Pointe Celia Marino
11:30 AM - 12:50 PM Horton II Ana Marie Forsythe
11:30 AM - 12:50 PM Taylor Technique Carolyn Adams
11:30 AM - 12:50 PM Intermediate/Advanced Men's Ballet Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Martin Lofsness
11:30 AM - 12:50 PM Dunham II Joan Peters
11:30 AM - 12:50 PM Modern II Dudley Williams
1:30 PM - 2:50 PM Modern III/IV Kazuko Hirabayashi
1:30 PM - 2:50 PM Jazz II Eddie Stockton
3:00 PM - 4:20 PM Hip-Hop Jonathan Lee
3:00 PM - 4:20 PM Modern I Marianne Bachmann
3:00 PM - 4:20 PM Modern III Penny Frank

Wed, February 26

Ailey II

Eugene, OR

7:30 pm

Hult Center for the Performing Arts

541-682-5000

Program subject to change.

Streams

Alvin Ailey’s highly structured yet fluid compilation of stunning solos, duets and group work which reflects the formal, meditative mood of Miloslav Kabelac’s music.

We

The charming duet We, by Alvin Ailey American Dance Theater Artistic Director Robert Battle, depicts a seasoned relationship between a couple.

Rusty

Paris-born choreographer Benoit-Swan Pouffer, a former member of Alvin Ailey American Dance Theater and the former artistic director of Cedar Lake Contemporary Ballet, brings a European sensibility to Ailey II’s repertory with this new work.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Ballet III Pedro Ruiz
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 9:50 AM Ballet II
10:00 AM - 11:20 AM Horton I Ana Marie Forsythe
10:00 AM - 11:20 AM Horton III Elizabeth Roxas
10:00 AM - 11:20 AM Ballet VII Jenny Chiang
10:00 AM - 11:20 AM Intermediate Pointe Celia Marino
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Beginner/Intermediate Men’s Ballet Robert Atwood
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Peter Brandenhoff
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
11:30 AM - 12:50 PM Jazz III Hollie Wright
11:30 AM - 12:50 PM Gyrokinesis®
11:30 AM - 12:50 PM Horton IV Ana Marie Forsythe
11:30 AM - 12:50 PM Ballet IV Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Jacqulyn Buglisi
11:30 AM - 12:50 PM Body Conditioning Wendy Amos
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Horton II Elizabeth Roxas
1:30 PM - 2:50 PM Modern II Kevin Predmore

Thu, February 27

Ailey II

Salem, OR

7:30 pm

The Historic Elsinore Theatre

503-375-3574

Program subject to change.

Wings

What if there were angels moving among us on earth? Rising choreographer Jennifer Archibald explores this intriguing possibility in her new work, Wings -- an unabashedly emotional portrayal of interactions between angels and humans. Set to an ambient score by veteran dance composer Michael Wall, Archibald’s movement is ferocious yet vulnerable, showcasing both the dancers’ athletic prowess and raw honesty.

Splendid Isolation II ("The Calling")

This elegant solo, originally part of Jessica Lang’s longer work Splendid Isolation II, returns in a new production.  To haunting choral music (“O Maria, Stella Maris” performed by Trio Mediaeval), a woman stands enveloped in a long, flowing skirt that fills the stage. 

The Hunt

Artistic Director Robert Battle’s athletic work for six men reveals the predatory side of human nature and the primitive thrill of the hunt.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Live Arts Collaboration / Ariel Rivka Dance

New York, NY

7:30 pm

The Ailey Citigroup Theater

Public Classes

New York, NY

Prepay for Classes

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Elizabeth Roxas
8:30 AM - 9:50 AM Ballet IV Pedro Ruiz
8:30 AM - 9:50 AM Ballet III Graciela Kozak and Peter Brandenhoff
8:30 AM - 9:50 AM Ballet VI Celia Marino
9:00 AM - 9:50 AM Ballet II
10:00 AM - 11:20 AM Tap I Courtney Tilford
10:00 AM - 11:20 AM Horton I Tracy Inman
10:00 AM - 11:20 AM Horton III Milton Myers
10:00 AM - 11:20 AM Ballet IV Beth Goheen
10:00 AM - 11:20 AM Yoga I Leslie Journet
10:00 AM - 11:20 AM Modern I Marianne Bachmann
10:00 AM - 11:20 AM Modern II Jacqulyn Buglisi
10:00 AM - 11:20 AM Ballet V Peter Brandenhoff and Graciela Kozak
11:30 AM - 12:50 PM Ballet IV Nancy Turano
11:30 AM - 12:50 PM Beginner Pointe Celia Marino
11:30 AM - 12:50 PM Horton II Milton Myers
11:30 AM - 12:50 PM Taylor Technique Carolyn Adams
11:30 AM - 12:50 PM Intermediate/Advanced Men's Ballet Peter Brandenhoff
11:30 AM - 12:50 PM Modern I Martin Lofsness
11:30 AM - 12:50 PM Dunham II Joan Peters
11:30 AM - 12:50 PM Modern II Ari Mayzick
1:30 PM - 2:50 PM Modern III/IV Dudley Williams
1:30 PM - 2:50 PM Jazz II Eddie Stockton
1:30 PM - 2:50 PM Horton II Fredrick Earl Mosley
3:00 PM - 4:20 PM Hip-Hop Jonathan Lee
3:00 PM - 4:20 PM Modern I Marianne Bachmann
3:00 PM - 4:20 PM Modern III Penny Frank

Fri, February 28

Alvin Ailey American Dance Theater

Chicago, IL

7:30 pm

Auditorium Theater

(800) 982-2787

Program subject to change.

Chroma

The groundbreaking British choreographer's contemporary ballet is full of sensory suprises: sumptuous movement, a driving score by Joby Talbot with orchestrations of songs by The White Stripes, and a luminous set by minimalist architect John Pawson.

Four Corners

In Ronald K. Brown’s Four Corners, 11 dancers depict spiritual seekers amid four angels standing on the corners of the earth, holding the four winds. In creating his fifth commission for the Ailey company since 1999, the celebrated choreographer turned to the song “Lamentations” by his friend, recording artist Carl Hancock Rux. Drawing from West African and modern dance influences, Brown uses grounded, earthy movements to portray figures who are burdened by grief but ultimately find peace, solace, and freedom with the aid of “the angels in their corners” mentioned in Rux’s text.

Revelations

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul. 

Professional Classes

New York, NY

Prepay for Classes

8:30 AM - 9:50 AM Horton I Milton Myers
8:30 AM - 9:50 AM Modern I Ari Mayzick
8:30 AM - 9:50 AM Intermediate Barre à Terre Marguerite Wesley
8:30 AM - 9:50 AM Ballet V Robert Atwood
8:30 AM - 9:50 AM Ballet VI Graciela Kozak
9:00 AM - 12:00 AM Ballet II
10:00 AM - 11:20 AM Horton I Graciela Kozak
10:00 AM - 11:20 AM Horton III Adrienne Hurd
10:00 AM - 11:20 AM Ballet VII Jenny Chiang
10:00 AM - 11:20 AM Ballet IV Graciela Kozak
10:00 AM - 11:20 AM Ballet II/III Pedro Ruiz
10:00 AM - 11:20 AM Ballet V Lynn Glauber-Mandel and Celia Marino
10:00 AM - 11:20 AM Modern II Christine Dakin
11:30 AM - 12:50 PM Gyrokinesis®
11:30 AM - 12:50 PM Horton II Guillermo Asca
11:30 AM - 12:50 PM Ballet IV Celia Marino
11:30 AM - 12:50 PM Modern I Kevin Predmore
11:30 AM - 12:50 PM Modern III/IV Christine Dakin
11:30 AM - 12:50 PM Ballet VI Lynn Glauber-Mandel
1:30 PM - 2:50 PM Jazz II Hollie Wright
1:30 PM - 2:50 PM Horton II Freddie Moore
1:30 PM - 2:50 PM Modern II Kevin Predmore