Ailey honors the modern dance tradition with Arden Court, a bucolic masterpiece by Paul Taylor.  It is the first work by this illustrious dance master to enter the Ailey repertory. Set to a series of excerpted symphonies by baroque composer William Boyce, Arden Court allows for the Ailey dancers to be at once both playful and majestic. 

Robert Battle’s bravura work mixes humor and high-flying movement in a savvy deconstruction of Indian Kathak dance rhythms. Clear shapes and propulsive jumps mimic the vocalized syllables of Sheila Chandra's syncopated score.

Home, choreographed by bold hip-hop choreographer Rennie Harris, is inspired by the stories of people living with or affected by HIV.  Drawing upon poems and images submitted in 2011 to the Fight HIV Your Way contest, an initiative of Bristol-Myers Squibb, Harris created a compelling work that conveys both the chilling isolation and uplifting sense of community many experience.

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul.  More than just a popular dance work, it has become a cultural treasure, beloved by generations of fans.

Amy Hall Garner is emerging as one of America's most diverse creative talents, with a career that spans from Broadway to ballet. In her new work,  set to a vibrant score by Karl Jenkins, Garner delivers high energy with a sophisticated edge.

Paris-born choreographer Benoit-Swan Pouffer, a former member of Alvin Ailey American Dance Theater and the current artistic director of Cedar Lake Contemporary Ballet, brings a European sensibility to Ailey II’s repertory with this new work.

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.