Home, choreographed by bold hip-hop choreographer Rennie Harris, is inspired by the stories of people living with or affected by HIV.  Drawing upon poems and images submitted in 2011 to the Fight HIV Your Way contest, an initiative of Bristol-Myers Squibb, Harris created a compelling work that conveys both the chilling isolation and uplifting sense of community many experience.

Ulysses Dove's bold choreographic voice and daring athleticism are embodied by the phenomenal Ailey women in Vespers, a dramatic work full of raw energy and profound grace.

Set to Nina Simone’s haunting rendition of the Oscar-nominated song “Wild is the Wind,”In/Side offers audiences an intimate look at a man’s most private struggles. 

Featuring an eclectic score ranging from Dean Martin to mambo, techno to traditional Israeli music, Ohad Naharin’s Minus 16 uses improvisation and Naharin’s acclaimed “Gaga” method, a unique movement language that breaks down old habits, pushing the dancers to challenge themselves in new ways.  

Alvin Ailey’s Night Creature is a bubbly champagne cocktail of a dance, a perfect fusion of Ailey’s buoyant choreography and Duke Ellington’s sparkling music.  At once wistful and sassy, it beckons viewers into a nocturnal world populated by jazz babies and night owls.

In Ulysses Dove’s Urban Folk Dance, two couples living side-by-side search for connection as they engage in ferocious power struggles. Characterized by a seamless blend of expressive theatricality and heart-stopping athleticism, Dove's choreography brilliantly captures the raw complexity of modern relationships.  

Ulysses Dove’s Episodes is a starkly passionate interpretation of the power struggles involved in human relationships.  Set to a sparse, percussive score by Robert Ruggieri with the choreography contained along two diagonally-lit paths, private battles between the sexes play out for all to see onstage.  Moments of tension, explosive confrontation, and unresolved longing are drawn out as duos partner with complete abandon.

Judith Jamison's dynamic collaboration with hip-hop pioneer Rennie Harris and modern dance maverick Robert Battle

Ailey honors the modern dance tradition with Arden Court, a bucolic masterpiece by Paul Taylor.  It is the first work by this illustrious dance master to enter the Ailey repertory. Set to a series of excerpted symphonies by baroque composer William Boyce, Arden Court allows for the Ailey dancers to be at once both playful and majestic. 

In Ulysses Dove’s Urban Folk Dance, two couples living side-by-side search for connection as they engage in ferocious power struggles. Characterized by a seamless blend of expressive theatricality and heart-stopping athleticism, Dove's choreography brilliantly captures the raw complexity of modern relationships.  

Ulysses Dove’s Episodes is a starkly passionate interpretation of the power struggles involved in human relationships.  Set to a sparse, percussive score by Robert Ruggieri with the choreography contained along two diagonally-lit paths, private battles between the sexes play out for all to see onstage.  Moments of tension, explosive confrontation, and unresolved longing are drawn out as duos partner with complete abandon.

Judith Jamison's dynamic collaboration with hip-hop pioneer Rennie Harris and modern dance maverick Robert Battle

Home, choreographed by bold hip-hop choreographer Rennie Harris, is inspired by the stories of people living with or affected by HIV.  Drawing upon poems and images submitted in 2011 to the Fight HIV Your Way contest, an initiative of Bristol-Myers Squibb, Harris created a compelling work that conveys both the chilling isolation and uplifting sense of community many experience.

Ulysses Dove's bold choreographic voice and daring athleticism are embodied by the phenomenal Ailey women in Vespers, a dramatic work full of raw energy and profound grace.

Set to Nina Simone’s haunting rendition of the Oscar-nominated song “Wild is the Wind,”In/Side offers audiences an intimate look at a man’s most private struggles. 

Featuring an eclectic score ranging from Dean Martin to mambo, techno to traditional Israeli music, Ohad Naharin’s Minus 16 uses improvisation and Naharin’s acclaimed “Gaga” method, a unique movement language that breaks down old habits, pushing the dancers to challenge themselves in new ways.  

Ailey honors the modern dance tradition with Arden Court, a bucolic masterpiece by Paul Taylor.  It is the first work by this illustrious dance master to enter the Ailey repertory. Set to a series of excerpted symphonies by baroque composer William Boyce, Arden Court allows for the Ailey dancers to be at once both playful and majestic. 

Robert Battle’s bravura work mixes humor and high-flying movement in a savvy deconstruction of Indian Kathak dance rhythms. Clear shapes and propulsive jumps mimic the vocalized syllables of Sheila Chandra's syncopated score.

Robert Battle’s The Hunt is a primal ritual with a distinctly urban feel fueled by a thundering percussion soundtrack by Les Tambours du Bronx. Perhaps Battle’s most popular work, it explores the relationship between modern sports and the rites of the gladiators.

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul.  More than just a popular dance work, it has become a cultural treasure, beloved by generations of fans.

Home, choreographed by bold hip-hop choreographer Rennie Harris, is inspired by the stories of people living with or affected by HIV.  Drawing upon poems and images submitted in 2011 to the Fight HIV Your Way contest, an initiative of Bristol-Myers Squibb, Harris created a compelling work that conveys both the chilling isolation and uplifting sense of community many experience.

Ulysses Dove's bold choreographic voice and daring athleticism are embodied by the phenomenal Ailey women in Vespers, a dramatic work full of raw energy and profound grace.

Set to Nina Simone’s haunting rendition of the Oscar-nominated song “Wild is the Wind,”In/Side offers audiences an intimate look at a man’s most private struggles. 

Featuring an eclectic score ranging from Dean Martin to mambo, techno to traditional Israeli music, Ohad Naharin’s Minus 16 uses improvisation and Naharin’s acclaimed “Gaga” method, a unique movement language that breaks down old habits, pushing the dancers to challenge themselves in new ways.