This standout work was Mr. Ailey’s first full-length dance without a plot—a gorgeous exploration of the architecture of bodies in space, with a percussion score by Miloslav Kabelac.

One of Mr. Battle’s first creations, this bravura work mixes humor and high-flying movement in a savvy deconstruction of Indian Kathak dance rhythms.

The bold hip-hop choreographer returns to the Ailey company to create a new work set to a soul-lifting score of gospel house music and inspired by the stories of people living with or affected by HIV.   

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

For the first time, the Ailey dancers will perform a work by the modern American genius Paul Taylor.  Set to William Boyce’s sumptuous baroque score, this romantic masterpiece has been hailed by The New York Times for “the irresistible pleasure of its dancing.”

The bold hip-hop choreographer returns to the Ailey company to create a new work set to a soul-lifting score of gospel house music and inspired by the stories of people living with or affected by HIV.   

Joyce Trisler, one of the Ailey company’s first members, set her ethereal female solo to Charles Ives’s “The Unanswered Question.” 

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

This standout work was Mr. Ailey’s first full-length dance without a plot—a gorgeous exploration of the architecture of bodies in space, with a percussion score by Miloslav Kabelac.

Characterized by a seamless blend of expressive theatricality and heart-stopping athleticism, Ulysses Dove's choreography brilliantly captures the raw complexity of modern relationships.

A delightfully eclectic score ranging from Dean Martin to mambo, techno to traditional Israeli music propels Naharin’s phenomenally inventive piece. 

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Donald Byrd’s Shards is a skillfully crafted work, which showcases his eclectic and complex choreography. Set to music by Mio Morales, Byrd expertly combines passion and formality in this ballet, creating the perfect vehicle for the stunning Ailey II dancers.

Set to music by Donny Hathaway, Frederic Chopin, and rapper Common, Kyle Abraham’s The Corner blends contemporary hip-hop and post-modern movement with several nods to classical ballet, dramatically depicting an urban social interaction that recreates life on ‘the corner.’

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Mr. Ailey's tribute to the life of Joyce Trisler, his memories and image of her.

One of Mr. Battle’s first creations, this bravura work mixes humor and high-flying movement in a savvy deconstruction of Indian Kathak dance rhythms.

Artistic Director Robert Battle’s athletic work for six men reveals the predatory side of human nature and the primitive thrill of the hunt.

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Donald Byrd’s Shards is a skillfully crafted work, which showcases his eclectic and complex choreography. Set to music by Mio Morales, Byrd expertly combines passion and formality in this ballet, creating the perfect vehicle for the stunning Ailey II dancers.

Set to music by Donny Hathaway, Frederic Chopin, and rapper Common, Kyle Abraham’s The Corner blends contemporary hip-hop and post-modern movement with several nods to classical ballet, dramatically depicting an urban social interaction that recreates life on ‘the corner.’

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

This standout work was Mr. Ailey’s first full-length dance without a plot—a gorgeous exploration of the architecture of bodies in space, with a percussion score by Miloslav Kabelac.

Characterized by a seamless blend of expressive theatricality and heart-stopping athleticism, Ulysses Dove's choreography brilliantly captures the raw complexity of modern relationships.

A delightfully eclectic score ranging from Dean Martin to mambo, techno to traditional Israeli music propels Naharin’s phenomenally inventive piece. 

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

For the first time, the Ailey dancers will perform a work by the modern American genius Paul Taylor.  Set to William Boyce’s sumptuous baroque score, this romantic masterpiece has been hailed by The New York Times for “the irresistible pleasure of its dancing.”

The bold hip-hop choreographer returns to the Ailey company to create a new work set to a soul-lifting score of gospel house music and inspired by the stories of people living with or affected by HIV.   

Joyce Trisler, one of the Ailey company’s first members, set her ethereal female solo to Charles Ives’s “The Unanswered Question.” 

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

Donald Byrd’s Shards is a skillfully crafted work, which showcases his eclectic and complex choreography. Set to music by Mio Morales, Byrd expertly combines passion and formality in this ballet, creating the perfect vehicle for the stunning Ailey II dancers.

Set to music by Donny Hathaway, Frederic Chopin, and rapper Common, Kyle Abraham’s The Corner blends contemporary hip-hop and post-modern movement with several nods to classical ballet, dramatically depicting an urban social interaction that recreates life on ‘the corner.’

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.

For the first time, the Ailey dancers will perform a work by the modern American genius Paul Taylor.  Set to William Boyce’s sumptuous baroque score, this romantic masterpiece has been hailed by The New York Times for “the irresistible pleasure of its dancing.”

The bold hip-hop choreographer returns to the Ailey company to create a new work set to a soul-lifting score of gospel house music and inspired by the stories of people living with or affected by HIV.   

Joyce Trisler, one of the Ailey company’s first members, set her ethereal female solo to Charles Ives’s “The Unanswered Question.” 

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.