Jamaican-born choreographer Garth Fagan – a Tony Award winner for The Lion King – expertly distills the dance traditions of his heritage to display movement in its purest form.  In this ensemble work, undulating torsos move independently of gyrating hips, and arms and legs cut through space with an arresting display of strength.  Tableau-like moments of stillness are juxtaposed against fiery solos.

Equal parts comedic and combative, Artistic Director Robert Battle’s Strange Humors is an eccentric, jocular display for two dancers.  Composer John Mackey, with whom Battle is a frequent collaborator, provides a fiery score propelled by elements of African hand drumming and Middle Eastern folk music.

Ulysses Dove's bold choreographic voice and daring athleticism are embodied by the phenomenal Ailey women in Vespers, a dramatic work full of raw energy and profound grace.

Featuring an eclectic score ranging from Dean Martin to mambo, techno to traditional Israeli music, Ohad Naharin’s Minus 16 uses improvisation and Naharin’s acclaimed “Gaga” method, a unique movement language that breaks down old habits, pushing the dancers to challenge themselves in new ways.