Ailey honors the modern dance tradition with Arden Court, a bucolic masterpiece by Paul Taylor.  It is the first work by this illustrious dance master to enter the Ailey repertory. Set to a series of excerpted symphonies by baroque composer William Boyce, Arden Court allows for the Ailey dancers to be at once both playful and majestic. 

Home, choreographed by bold hip-hop choreographer Rennie Harris, is inspired by the stories of people living with or affected by HIV.  Drawing upon poems and images submitted in 2011 to the Fight HIV Your Way contest, an initiative of Bristol-Myers Squibb, Harris created a compelling work that conveys both the chilling isolation and uplifting sense of community many experience.

Set to Nina Simone’s haunting rendition of the Oscar-nominated song “Wild is the Wind,”In/Side offers audiences an intimate look at a man’s most private struggles. 

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul.  More than just a popular dance work, it has become a cultural treasure, beloved by generations of fans.

Donald Byrd’s Shards is a skillfully crafted work, which showcases his eclectic and complex choreography. Set to music by Mio Morales, Byrd expertly combines passion and formality in this ballet, creating the perfect vehicle for the stunning Ailey II dancers.

This elegant solo, originally part of Jessica Lang’s longer work Splendid Isolation II, returns in a new production.  To haunting choral music (“O Maria, Stella Maris” performed by Trio Mediaeval), a woman stands enveloped in a long, flowing skirt that fills the stage. 

Artistic Director Robert Battle’s athletic work for six men reveals the predatory side of human nature and the primitive thrill of the hunt.

Using African-American spirituals, song-sermons, gospel songs and holy blues--this suite fervently explores the places of deepest grief and holiest joy in the soul.