Streams is an abstract exploration of bodies in space, danced to a percussion score by Miloslav Kabelac. This standout work was Alvin Ailey’s first full-length dance without a plot. A great success when it premiered in 1970, it was brought back into the active repertory in 2011 during Robert Battle’s inaugural season as artistic director, in homage to Ailey’s legacy and artistry.

Set to Nina Simone’s haunting rendition of the Oscar-nominated song “Wild is the Wind,”In/Side offers audiences an intimate look at a man’s most private struggles. 

Robert Battle’s bravura work mixes humor and high-flying movement in a savvy deconstruction of Indian Kathak dance rhythms. Clear shapes and propulsive jumps mimic the vocalized syllables of Sheila Chandra's syncopated score.

Robert Battle’s The Hunt is a primal ritual with a distinctly urban feel fueled by a thundering percussion soundtrack by Les Tambours du Bronx. Perhaps Battle’s most popular work, it explores the relationship between modern sports and the rites of the gladiators.

Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul.  More than just a popular dance work, it has become a cultural treasure, beloved by generations of fans.

Thang Dao’s Echoes began as a haunting depiction of the choreographer’s memories of life in Vietnam and his migration to America. This poignant ballet has grown into a deeply moving reverie that transcends personal history.

Company Premiere
This dynamic piece by choreographer Mina Yoo references a familiar neighborhood on the “boulevard” where young people of various cultures and backgrounds interact.

World Premiere
Artistic Director Troy Powell delivers a cutting-edge piece that combines ballet, jazz, and contemporary dance set to music by Mio Morales.